Faculty/Staff Directory
Matthew Silverman
| Courses: | ENGL 1101 |
| Syllabi: | |
| Education: | BA from Louisiana State University MFA from McNeese State Universty M ED from Mercer University |
| Professional Experience: | Taught at Herzing College in New Orleans, University of Louisiana at Lafayette, McNeese University, and Gordon State |
| Publications: | Publications Books New Voices: Contemporary Writers Confronting the Holocaust (co-editor, forthcoming from Vallentine Mitchell 2022); 101 Jewish Poems for the Third Millennium (co-editor, Ashland Press, 2021); The Floating Door (Glass Lyre Press, 2018); The Breath before Birds Fly (ELJ Press, 2013); Bloomsbury’s Contemporary Jewish American Poetry Anthology (co-editor, 2013). Poems The Banyan Review (2024): “Moon Pie Love”; “Man in the Moon”; “Pow to the Moon”; “Moonfish”; “Yellow Boxfish”; The Denver Quarterly (2024): “Fiddler Crab on the Roof”; Hare’s Paw Literary Journal (2024): “Crow Magic”; The Prose Poem (2024): “Tracks”; The Illanot Review (2023): “The Train in my Father’s Mouth,” “The Third Element (ii)”, “Tadpole Rain”; Stonecoast Review (2023): “Defining the Third Element” and “Philoselene”; Gone Lawn (2023): “Red Lipped Batfish”; Strange Horizons (2023): “Some Facts are Difficult to Discuss”; Santa Fe Literary Review (2023): “Looking for Laika Decades After She Fell”; Greensboro Review (2023): “Iapetus is a Far Away Moon”; San Antonio Review (2023): “Peppered Moths Predict the Future” and “Meteor Games”; San Pedro River Review (2022): “What You Don’t have to Know on Eldridge Street”; Ghost City Press (2022): “Hunger I”; Menacing Hedge: (2022): “My Mother is a Pinecone” and “What Vardaman Knows”; The Zodiac Review (2022): “On Robert’ Frank’s Ranch Market— Hollywood”; Museum of Americana (2022): “Brooklyn Piano II”; Blue River Review (2022): “The Good Dark” & “Great Redbird Trains of New York City”; Unbroken (2022): “The Lost Skeleton I & II”; Roi Fainéant Press (2022): “I Carry a Shovel” & “Doomsday Turnstile”; Harpy Hybrid (2022)” “Traveling to a Foreign Place” & “Today the World Ends, and It is Friday, Mid-March”; Scissors & Spackle: (2022): Paper Cranes as Stars” & “Hatchling”; Poetry South (2022): “Secret Life of Books”; Small Orange Journal (2022): “The Brooklyn Bridge Piano I”; Remington Review (2022): “Give It a Name”; Dear Reader (2022): “Trains are not Trains”; Misfit Magazine (2022): “Bed”, “Sarah & the 2000 Doors”, and “Stable in the Garage”; Worth More Standing: Poets and Activists Pay Homage to Trees (2022): “On Mowing”; Heron Tree (2022): “Electricity and Matter”; Southern Florida Poetry Journal (2022): “This Is Not A Poem You Should Read”; Tampa Review (2021): “Why we Hate Chickens”; Green Ink Poetry (2021): “the last escape pod”; Tipton Poetry Journal (2021): “When You Ask about What I Dream” I-70 Review (2021): “How to Tell |
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